American Standard 5311.012.020 Laurel Elongated Toilet Seat with Cover, White
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More from The Beach Boys
| Sounds of Summer | Pet Sounds | The Greatest Hits Vol. 2: 20 More Good Vibrations |
| Good Vibrations: Thirty Years of The Beach Boys | Endless Harmony | Endless Harmony DVD |
CD TRACKLISTING:
INTRO
California Girls
Sloop John B Darlin'
School Days
God Only Knows
Be True To Y! our Scho ol
Do It Again
Little Deuce Coupe
Cotton Fields /
Heroes And Villains
HAPPY BIRTHDAY BRIAN
Keepin' The Summer Alive
Lady Lynda
Surfer Girl
Help Me Rhonda
Rock & Roll Music
I Get Around
Surfin' USA
You Are So Beautiful
Good Vibrations
Barbara Ann
Fun, Fun, Fun
Also includes
The Beach Boys
On The Beach Boys Songs
Contemporary comments from the band on some of the songs performed at Knebworth.It's entertaining, nostalgic, even poignant... not much more one could ask for from a Beach Boys concert. This 70-minute concert was the last time the complete group (brothers Brian, Carl and Dennis Wilson, Al Jardine, Mike Love, and Bruce Johnston, plus backing musicians) would appear in the U.K., performing a mix of oldies ("California Girls," "Help Me Rhonda," "Fun, Fun, Fun," etc.) and some newer material. And if the show itself is somewhat pedestrian, it's still marvelous to see the three Wilsons togeth! er onstage, especially in view of the subsequent deaths of Dennis (in '83) and Carl (in '98), and Brian's eventual triumphant recovery from mental and emotional problems. To hear Carl sing so beautifully on "God Only Knows," or Dennis play drums with such power and emotion, or Brian, vacant but game, contribute a few lines to "Surfer Girl"... well, it might just bring a tear to your eye. --Sam Graham
Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonCho! colate is the beautiful and captivating comedy from the acclai! med dire ctor of the Cider House Rules! Nobody could have imagined the impact that the striking Vianne(Binoche) would make when she arrived in a tranquil, old-fashioned French town. In her very unusual chocolate shop, Vianne begins to create mouth-watering confections that almost magically inspire the strailaced villagers to abandon themselves to temptation and happiness! But it is not until another stranger, the handsome Roux arrives in town that Vianne is finally able to recognize her own desires!With movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad ! metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when placed in a fable that's as warmly inviting as this one.
Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable ! (if not for Molina's rich performance, the mayor would be a ca! ricature ), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonCHOCOLAT - DVD MovieWith movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when placed in a fable that's as warmly inviting as this one.
Driven by fate, Vianne (Binoche) drifts into a tranquil Fre! nch village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonGreeted as "an amazement of riches . . . few readers will be able to resist" by The New York Times, Chocola! t is an enchanting novel about temptation, pleasure, and t! he ultim ate folly of self-denial. The town of Lansquenet, solemnly preparing for Lent, is set astir when Vianne Rocher and her spirited daughter arrive on the heels of the carnival and open a chocolate shop across the square from the church. Vianne's uncanny ability to perceive her customers' private discontents and alleviate them with just the right chocolate treats quickly charms the villagers--and enrages Pere Reynaud, the conservative local priest. Certain that only a witch could create such magical cures, Reynaud vows to block the chocolate festival Vianne plans for Easter Sunday and to run her out of town forever. Witch or not (she'll never tell), Vianne soon sparks a dramatic confrontation between those who prefer the cold comforts of the church and those who revel in their newly discovered taste for pleasure.
"Delectable . . . delicious"-- (USA Today)
"Part fairy tale, part morality tale, laden with high farce and tongue-in-cheek humor . . . suffused wi! th lush detail and finely drawn interesting characters."-- Philadelphia Inquirer
"Harris writes with verve and charm . . . if Colette and Hawthorne had collaborated, the result might have been this serious delight."-- The New Yorker
The perfect treat for Valentine's Day and EasterVianne Rocher and her 6-year-old daughter, Anouk, arrive in the small village of Lansquenet-sous-Tannes--"a blip on the fast road between Toulouse and Bourdeaux"--in February, during the carnival. Three days later, Vianne opens a luxuriant chocolate shop crammed with the most tempting of confections and offering a mouth-watering variety of hot chocolate drinks. It's Lent, the shop is opposite the church and open on Sundays, and Francis Reynaud, the austere parish priest, is livid.
One by one the locals succumb to Vianne's concoctions. Joanne Harris weaves their secrets and troubles, their loves and desires, into her third novel, with the lightest touch.! There's sad, polite Guillame and his dying dog; thieving, be! aten-up Joséphine Muscat; schoolchildren who declare it "hypercool" when Vianne says they can help eat the window display--a gingerbread house complete with witch. And there's Armande, still vigorous in her 80s, who can see Anouk's "imaginary" rabbit, Pantoufle, and recognizes Vianne for who she really is. However, certain villagers--including Armande's snobby daughter and Joséphine's violent husband--side with Reynaud. So when Vianne announces a Grand Festival of Chocolate commencing Easter Sunday, it's all-out war: war between church and chocolate, between good and evil, between love and dogma.
Reminiscent of Herman Hesse's short story "Augustus," Chocolat is an utterly delicious novel, coated in the gentlest of magic, which proves--indisputably and without preaching--that soft centers are best. --Lisa Gee, Amazon.co.uk
Now there is a hand to hold...
Each year about eight million Americans suffer the death of someone close to them. Now for thse who face the challenges of sudden death, there is a hand to hold, written by two women who have experienced sudden loss. This updated edition of the best-selling bereavement classic will touch, comfort, uplift and console. Authors Brook Noel and Pamela D. Blair, Ph.D. explore sudden death and offers a comforting hand to hold for those who are grieving the sudden death of a loved one.
Featured on ABC World News, Fox and Friends and many other shows, this book acts as a touchstone of sanity through difficult times. I Wasn't Ready to Say Goodbye covers such difficult topics as the first few weeks, suicide, death of a child, children and grief, funerals and rituals, physical effects, homicide and depression. New material covers the unique circumstances of loss, men and women's grieving ! styles, religion and faith, myths and misunderstandings, I Was! n't Read y to Say Goodbye reflects the shifting face of grief.
These pages have offered solace to over eighty thousand people, ranging from seniors to teenagers and from the newly bereaved to those who lost a loved one years ago. Individuals engulfed by the immediate aftermath will find a special chapter covering the first few weeks.
Tapping their personal histories and drawing on numerous interviews, authors Brook Noel and Pamela D. Blair, Ph.D, explore unexpected death and its role in the cycle of life. I Wasn't Ready to Say Goodbye provides survivors with a rock-steady anchor from which to weather the storm of pain and begin to rebuild their lives.
PRAISE FOR I WASN'T READY TO SAY GOODBYE
"I highly recommend this book, not only to the bereaved, but to friends and counselors as well."
Helen Fitzgerald, author of The Grieving Child, The Mourning Handbook, and The Grieving Teen
"This book, ! by women who have done their homework on grief... can hold a hand and comfort a soul through grief 's wilderness. Oustanding references of where to see other help."
George C. Kandle, Pastoral Psychologist
"Finally, you have found a friend who can not only explain what has just occurred, but can take you by the hand and lead you to a place of healing and personal growth. Whether you are dealing with the loss of a family member, a close personal associate or a friend, this guide can help you survive and cope, but even more importantly... heal."
The Rebecca Review
"For those dealing with the loss of a loved one, or for those who want to help someone who is, this is a highly recommended read."
Midwest Book Review
For those who have suffered the lo! ss of a loved one, here are strength and thoughtful words to inspire and comfort.
Jack Ryan always wanted to play pro ball. But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match -- and more -- in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game -- and it's going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.
The Big Bang model is now both theoretically and empirically well established, although it does not explain the mystery of the very beginning of our universe. Over recent years, howeve! r, new developments open up the exciting prospect of going "beyond" the Big Bang and even of finding a physical explanation for it. Surprisingly, the ancient idea of a past-eternal universe is being revived, but a variety of other fascinating new approaches -- from the Holographic Universe to Cosmic Natural Selection -- are also being pursued. This book provides an up-to-date overview of each of these competing scenarios with original contributions from the world's leading researchers in cosmology, who describe their own work and results in a manner understandable even to non-specialists. "The stellar line-up of contributors to this volume are working at the cutting edge of cosmological research, and are poised to take our understanding of the universe beyond the big bang into an even stranger realm." - Paul Davies. "This book provides a wonderful overview of current ideas on these ultimate cosmic questions, written by scientists working at the forefront of cosmologic! al research."-- Alex Vilenkin.Jack Ryan always wanted to pl! ay pro b all. But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match -- and more -- in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game -- and it's going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.
Jack Ryan always wanted to play pro ball. But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match -- and more -- in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary ! give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game -- and it's going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.
BIG GIRLS BOUNCE: Plus-Size Tales for Troubled Times#1 NEW YORK TIMES BESTSELLER
His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girlâs savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to bel! ieve.
One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a gentle touch. ! Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.
Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout! the story and may compel readers to act as if they were watc! hing a B -grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah WarrenAcademy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Sup! porting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's sought out by a fast-lane New York magazine editor (Kristin Scott Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson! ) was injured and traumatized by an accident that nearly kille! d her fa vorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon
DVD Features:
Deleted Scenes
Deleted Scenes
Deleted Scenes
Deleted Scenes
A brilliantly evoked portrait of a unique moment in history (the end of one war and the beginning of another), The Good German amply fulfills the promise shown by Joseph Kanon in his two earlier novels, Los Alamos and The Prodigal Spy. --Jane Adams