Honey and Spice: Sensual and Fierce Burlesque

• HONEY & SPICE:SENSUAL & FIERCE BURLESQUE, WITH JO (DVD MOVIE)

A small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Christina Aguilera Run time: 118 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? Seriously, you didn't see that coming? Writer-director Steve Antin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks a! bout in an undefined role that might well have been filmed mon! ths afte r everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonA small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Run time: 119 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame! who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? S! eriously, you didn't see that coming? Writer-director Steve An! tin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks about in an undefined role that might well have been filmed months after everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonBurlesque Beat is not just another aerobic exercise program, it combines exciting dance moves with exotic stretches to create an all over cardio and body sculpting workout. Burlesque Beat is a dance-inspired fitness class full of fun achievable moves! designed to turn you into a vibrant, sexy woman. Rodney James, one of Australia's most respected, passionate and inspirational fitness instructors, shows you the body-shaping benefits of dance which he uncovered during a successful international performance career. His enthusiasm and true passion for dance dissolves doubts and self-consciousness, enabling the most timid individual to move more confidently than ever. Rodney s video instruction has a room full of beautiful models to demonstrate to you all the sexy moves you ll need to know.The Honey & Spice instructional video explores two styles of burlesque: Sensual and Fierce. Burlesque is a sophisticated theatrical art with a long history, many subgenres and a wide range of flavors from classic to neo-burlesque. Burlesque combines elements of acting, modeling and dance. It cultivates confidence, bold femininity, and a sense of humor.

Created by Jo Weldon, the Headmistress and Founder of the New York School of Bu! rlesque, the program features two burlesque routines set to au! thentic burlesque music. The emphasis of both routines is on understanding the art of concealing and revealing. While burlesque has its own classic moves and steps, any burlesque routine can be personalized by adding steps from your favorite form of dance or from other variety arts.

The Honey routine is a tantalizing, sensual dance, performed with a feather boa. It is playful, funny, and very graceful. You will learn how to work with the boa, how to peel off your gloves, how to interact with your audience, and how to be sexy and confident on stage.

The Spice routine is based on the burlesque staple, Bump & Grind. It is high-energy, sexy, rhythmic, and glamorous. You will learn different types of bumps, various burlesque walks, and classic burlesque poses. In the Spice routine you will also learn how to project the burlesque attitude, that sexy confidence you need to amaze and charm any audience.

Jo demonstrates the routines and then breaks down each sectio! n step-by-step. Every routine consists of 5 combinations. The DVD chaptering allows you to navigate easily between combinations, both in the demonstrations and in the breakdowns, for easy review and practice.

Additional technique and practice sections include a warmup, a sensual burlesque movement series, and the basics of bump & Grind. Jo also discusses burlesque costumes and offers tips for using certain special items of clothing as props: You will learn how to make a theatrical event out of peeling off your stockings and gloves, and taking off your corset. Special DVD Extras demonstrate the basics of Tassel Twirling and show different types of pasties and how to attach them.

Both routines in this program are based on the classic burlesque [striptease] tradition. Jo teaches moves she learned from women who performed burlesque in the 1930s through the 1960s. Jo s fascination with classic burlesque brought her to study with Dixie Evans, Sherry Britton, Tur! a Satana, Satan's Angel, Dee Milo, Toni Elling, and other lege! nds of b urlesque. Jo Weldon is the Co-Executive Director of Education for The Burlesque Hall of Fame, Las Vegas, as well as the Coordinator of The Burlesque Master Class at Coney Island, where the best of New York's amazing neo-burlesque performers come together to present their most outrageous and iconoclastic acts.

The Edukators Poster Movie B 11x17 Daniel Br?hl Julia Jentsch Stipe Erceg Burghart Klau?ner

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Jan (Daniel Brühl, Ladies in Lavender) and Peter are the best friends behind the radical and mysterious group The Edukators, united by their passion to change the world, in "The funniest, most original movie I’ve seen all year." (David Edwards, The Daily Mirror). When the rich go on vacation, The Edukators break into their homes. They don’t steal, but simply rearrange everything, leaving the message "Your days of plenty are numbered." When Peter’s girlfriend Jule (Julia Jentsch, winner, Best Young Actress, 2005 Bavarian Film Awards) moves in, she joins t! hem in their subversive activities. But when a rich businessman catches them in the act, they rashly decide to kidnap him. Faced with the values of the generation in power, they will see what kind of revolutionaries they are, if their friendship can survive, and discover if they truly work in the interest of the greater good, or just in their own self-interest. Passions rage and loyalties shatter in director Hans Weingartner’s exciting film that’s "Fresh, biting, gripping, tender, and tense." (The Telegraph On SundayFollowing the fall of the Berlin Wall, German society experienced the end of a political and cultural antagonism, which had defined East and West since WWII. Reunification was marked by post-modern feelings of fragmentation, uncertainty and loss of authenticity. This led to glorifications of past cultures, evident in the phenomenon of Ostalgie, the recurrence of the Heimat tradition and the revival of Counter-cultural styles amongst contemporary you! th. With Hans Weingartner?s film 'The Edukators' and Antonio ! Gramsci? s concept of Hegemony in focus, this book seeks to reassess the validity of traditional cultural theory in post-Wall German society. The author critically examines the power- struggle between resistance and incorporation of (youth-) cultural movements and nostalgic material desires in contemporary Germany. The analysis illustrates the need for a more positive re- utilisation and remembrance of history in East and West in order to enhance cultural optimism for a united present and future. It should be of particular interest to those studying German culture, film or history, and anyone who feels that innovation springs from the creative individual.Contemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movContemporary comedies rarely stretch themselves beyond a bickering ro! mantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerFeaturing tracks from Franz Ferdinand, Depeche Mode, Leonard Cohen and Radio 4, along with Ger! man music such as Tocotronic and T. Raumschmiere, the soundtra! ck is an energetic reflection of The Edukators film, dealing with teenage rebellion and idealism in Germany. Directed and written by Hans Weingartner, the film features Daniel Brühl (who starred in 2002's Good Bye, Lenin!), the Evening Standard said of The Edukators '[It is a] gripping confrontation between a trio of disaffected youngsters and the fat-cat businessman whom they kidnap' while The Independent declared it to be 'One of the Best Films at Cannes 2004'. EMI. 2005.The Edukators reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style B mini poster print

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Blessed Is the Match: The Life and Death of Hannah Senesh

• BLESSED IS THE MATCH (DVD MOVIE)

In 1944, 22-year-old Hannah Senesh parachuted into Nazi-occupied Europe with a small group of Jewish volunteers from Palestine. Theirs was the only military rescue mission for Jews that occurred in World War II.

Narrated by Academy Award® winner Joan Allen, the multi-award-winning BLESSED IS THE MATCH follows the remarkable journey of this young Hungarian poet and diarist, paratrooper and resistance fighter. Told through Hannah s letters, diaries, and poems, her mother s memoirs, and the recollections of those who knew and loved her (including two of her fellow parachutists), the film traces her life from her childhood in Budapest to her time in British-controlled Palestine where she was drawn by the Kibbutz Movement that sought to build an independent Jewish state to her daring mission to rescue Jews in her native Hungary.

Both devastating an! d inspiring, BLESSED IS THE MATCH offers an intimate portrait of a singularly talented, courageous and complex girl who believed that one person could be a flame that burns brightly in even the darkest hours.This harrowing documentary by director Roberta Grossman is like any meaningful history lesson about the Holocaust: extremely sad to watch but absolutely necessary. Pieced together from Hannah Senesh's letters and poems, and her mother's memoir, this very tragic story is narrated by Joan Allen, which is only the first great thing about this film. Blessed Is the Match tells the tale of national heroine and martyr Hannah Senesh, who embarked on a deadly mission from her kibbutz in Palestine to save Hungarian Jews from extermination. Still photos of Senesh's family are interwoven with interviews with everyone from her nephews to her prison cellmate, Vera Latjai, to her fellow parachutist, Surika Braverman, to Shimon Peres, the president of Israel. A painfully clear! picture is painted of how brave and generous this young girl ! of 22 mu st have been to have enrolled in the British Army as one of three women who parachuted into Yugoslavia to infiltrate German-occupied Hungary. The film traces her childhood in Budapest, marking important turning points in which Senesh dedicated her life to writing poetry. Even in the first grade, upon the death of her father, this precocious girl dictated elegiac poetry to her grandmother. While many documentaries drag on in childhood sections that feel irrelevant to the larger story, Blessed Is the Match uses this time wisely. Leading up to 1938, when Senesh decides to leave her mother behind for Palestine, one learns how anti-Semitism informed her morality and fortified her dedication to the Jewish people. With more frequency, the voices of Hannah (Meri Roth), mother Catherine (Marcela Nohynkova), and brother Giora (Zdenek Kozakovic) replace the narrator's as the story of Hannah's short time in Europe grows increasingly dire. Moving and still images of the Polish a! nd Hungarian ghettos spliced in here make one feel the urgency of Senesh's mission to save her mother. As letters are read back and forth between them, and the film spends its latter third focusing on their prison time together, there are moments that seem nearly unbearable. However, Hannah Senesh is called Israel's Joan of Arc for a reason. This film honors her having become a symbol of persistence and hope, and in this, many of her simple, yet beautiful patriotic poems are read throughout to strong effect. Blessed Is the Match is a challenging, comprehensive look at the power of the individual and transcends war story to remind one of how caring humans do much to counteract atrocity. --Trinie Dalton

The Devil Came On Horseback

• An up-close, honest, and uncompromising look at the crisis in Darfur, THE DEVIL CAME ON HORSEBACK exposes the ongoing tragedy in Sudan as seen through the eyes of one American witness. Using the exclusive photographs and first hand testimony of former U.S. Marine Captain Brian Steidle, the film goes on an emotionally charged journey into the heart of Darfur, Sudan, where in 2004, Steidle became

The Devil Came on Horseback is an intense, vivid autobiographical report from the heart of violent Darfur and a call to action by a former American Marine who became a military observer for the African Union. The first extensive on-the-ground account of the genocide in Sudan, it leads us through the tragic impact of an Arab government bent on destroying its black African citizens and the frustrating complexity of international inaction. At the same time, it is a powerful memoir of one soldier's ! awakening to conscience and his awkward, heroic transformation from Marine to humanitarian. While bearing witness to unmentionable atrocities, this compelling story offers evidence that the actions of just one committed person have the power to transform the world.
This intense, vivid report and call to action
from the heart of violent Darfur, by a former
Marine working as an unarmed military
observer for the African Union, is a powerful
memoir of a young man's awakening to
conscience and the first extensive on-theground
account of the genocide in Sudan.

Former United States Marine Brian Steidle served for six months in Darfur
as an unarmed military observer for the African Union. There he witnessed
first-hand the ongoing genocide, and documented every day of his experience
using email, audio journals, notebook after notebook and nearly 1,000
photographs. Gretchen Steidle Wallace, his sister, who wrote this ! book with
Brian, corresponded with him throughout his ti! me in Da rfur. Fired upon,
taken hostage, a witness to villages destroyed and people killed,
frustrated by his mission's limitations and the international community's
reluctance to intervene, Steidle resigned and has since become an advocate
for the world to step in and stop this genocide.

The Devil Came on Horseback depicts the tragic impact of an Arab
government bent on destroying its black African citizens, the maddening
complexity of international inaction in response to blatant genocide, and
the awkward, yet heroic transformation of a former Marine turned
humanitarian. It is a gripping and moving memoir that bears witness to
atrocities we have too long averted our eyes from, and reveals that the
actions of just one committed person have the power to change the world.
This intense, vivid report and call to action
from the heart of violent Darfur, by a former
Marine working as an unarmed militaryobserver for the African Union, is a powerful
memoir of a young man's awakening to
conscience and the first extensive on-theground
account of the genocide in Sudan.

Former United States Marine Brian Steidle served for six months in Darfur
as an unarmed military observer for the African Union. There he witnessed
first-hand the ongoing genocide, and documented every day of his experience
using email, audio journals, notebook after notebook and nearly 1,000
photographs. Gretchen Steidle Wallace, his sister, who wrote this book with
Brian, corresponded with him throughout his time in Darfur. Fired upon,
taken hostage, a witness to villages destroyed and people killed,
frustrated by his mission's limitations and the international community's
reluctance to intervene, Steidle resigned and has since become an advocate
for the world to step in and stop this genocide.

The Devil Came on Horseback depicts the tragic im! pact of an Arab
government bent on destroying its black Af! rican ci tizens, the maddening
complexity of international inaction in response to blatant genocide, and
the awkward, yet heroic transformation of a former Marine turned
humanitarian. It is a gripping and moving memoir that bears witness to
atrocities we have too long averted our eyes from, and reveals that the
actions of just one committed person have the power to change the world.An up-close, honest, and uncompromising look at the crisis in Darfur, THE DEVIL CAME ON HORSEBACK exposes the ongoing tragedy in Sudan as seen through the eyes of one American witness.

Using the exclusive photographs and first hand testimony of former U.S. Marine Captain Brian Steidle, the film goes on an emotionally charged journey into the heart of Darfur, Sudan, where in 2004, Steidle became witness to a genocide that to-date has claimed over 400,000 lives. As an official military observer, Steidle had access to parts of the country that no journalist could penetrate. Unprepa! red for what he would witness and experience, Steidle returned to the U.S. armed with his photographs, intent on exposing the images and stories of lives systematically destroyed.

A 2007 world premiere at the Sundance Film Festival, this astonishingly propulsive and dramatic film from award-winning filmmakers Annie Sundberg and Ricki Stern (The Trials of Darryl Hunt), is a heartfelt account of what this particular American witness saw and, just as important, what he did afterward.

DVD Features: Bonus Short Film: Supporting Survivors; Take Action Save Darfur: How to HelpThe Devil Came on Horseback presents a first-person account of the genocide in Darfur. Former Marine Captain Brian Steidle joined the African Union in 2004 to help monitor the cease-fire in Sudan. As he puts it, "All I had was a camera, a pen, and paper. I was totally unprepared for what I'd see." An unarmed military civilian, he describes his observations, via voice-over and audio record! ings, as filmmakers Annie Sundberg and Ricki Stern alternate b! etween t heir contemporary footage and his images of slaughtered civilians and incinerated villages. When his contract ends, Steidle leaves in disillusionment. He wrote his reports and took his pictures, but nothing changed. Since reporters lacked the same degree of access, he goes to The New York Times, and they publish his photographs. The soldier-turned-activist proceeds to spread the word everywhere he can. Aside from Steidle, the film features his sister Gretchen Wallace, founder of Global Grassroots (an organization working with female victims in Sudan and Rwanda), and Senator Barack Obama, who has also made Darfur his personal mission. The title comes from a loose translation of janjaweed, the government-backed Arab militias behind the atrocities to which Steidle bore witness. (Steidle and his sister use the same title for the book they wrote together.) As in their previous documentary, The Trials of Darryl Hunt, Sundberg and Stern maintain a measured tone, but t! heir subject's horrifying images speak for themselves. The Devil Came on Horseback is accompanied by Wallace's Supporting Survivors, a short film about Global Grassroots. --Kathleen C. Fennessy

Torque (Widescreen Edition)

• High-Speed Action Adventure. Biker Cary Ford (Martin Henderson) returns to his hometown to reunite with his girlfriend (Monet Mazur). Once home, Ford is framed for a murder he didn't commit, targeted for revenge by the victim's brother (Ice Cube) and pursued by the FBI as he tries to clear his name and outrace his enemies.Running Time: 84 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE

Studio: Paramount Home Video Release Date: 02/14/2006 Run time: 111 minutes Rating: RWhen it's revved up to maximum rpm's, Biker Boyz qualifies as an adequate knockoff of The Fast and the Furious. Both films were inspired by magazine articles about speed-freak outlaws on the streets of California, only this time the nitrous-enhanced "rice rockets" are of the two-wheeled variety, and Smoke (Laurence Fishburne) is the reigning "King of Cali," leading a predominantly African American subculture th! at schedules illegal motorcycle races with high stakes and potentially lethal outcomes. Kid (Derek Luke, the promising newcomer from Antwone Fisher) is the latest challenger, facing off against Dogg (Kid Rock) and others before coming to terms with his own familial destiny. Following his incisive HBO debut, Dancing in September, director Reggie Rock Bythewood approached Biker Boyz as a modern Western, but it's really just a strutter's ball with polished chrome and tailpipes. Meagan Good, Lisa Bonet, and Vanessa Bell Calloway provide sexy feminine wisdom, badly needed in a movie that's all flash and precious little substance. --Jeff Shannon Studio: Paramount Home Video Release Date: 02/14/2006 Run time: 111 minutes Rating: RWhen it's revved up to maximum rpm's, Biker Boyz qualifies as an adequate knockoff of The Fast and the Furious. Both films were inspired by magazine articles about speed-freak outlaws on the streets of Californ! ia, only this time the nitrous-enhanced "rice rockets" are of ! the two- wheeled variety, and Smoke (Laurence Fishburne) is the reigning "King of Cali," leading a predominantly African American subculture that schedules illegal motorcycle races with high stakes and potentially lethal outcomes. Kid (Derek Luke, the promising newcomer from Antwone Fisher) is the latest challenger, facing off against Dogg (Kid Rock) and others before coming to terms with his own familial destiny. Following his incisive HBO debut, Dancing in September, director Reggie Rock Bythewood approached Biker Boyz as a modern Western, but it's really just a strutter's ball with polished chrome and tailpipes. Meagan Good, Lisa Bonet, and Vanessa Bell Calloway provide sexy feminine wisdom, badly needed in a movie that's all flash and precious little substance. --Jeff Shannon High-Speed Action Adventure. Biker Cary Ford (Martin Henderson) returns to his hometown to reunite with his girlfriend (Monet Mazur). Once home, Ford is framed for a murder he did! n't commit, targeted for revenge by the victim's brother (Ice Cube) and pursued by the FBI as he tries to clear his name and outrace his enemies.A lot has changed in the biker-movie genre since Hell's Angels on Wheels, and Torque may be the new benchmark of feverish chopper action. Martin Henderson plays Cary, a speed king and relatively civilized outlaw with a knack for annoying everyone, including drug smugglers, the FBI, an ex-girlfriend, and, worst of all, biker gang leader Trey (Ice Cube), who thinks Cary killed his brother. On the run from everyone, Cary survives by playing all sides against one another. But the story is less important than the frantic, over-the-top, tongue-in-cheek action surrounding it. The Fast and the Furious producer Neal H. Moritz is responsible for this crazy, violent, yet appealingly sardonic cowboys-on-wheels piece. --Tom Keogh

Ghosts of Cité Soleil 20x26 Framed and Double Matted Movie Poster - A

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An epic portrait of a family and a culture torn apart by poverty and violence, GHOSTS OF CITE SOLEIL is a powerful and unsettling documentary that takes us inside the lives of the notorious gang leaders who dominate the Haitian slum of Cite Soleil, one of the most desperate communities in the Western hemisphere. Set to a score by Wyclef Jean, who also executive produced the film and serves as an inspiration to the young men of Haiti, the film follows two of the gang leaders, who happen to be brothers, and are also aspiring rappers. The foot soldiers of these gang leaders are known as chimeres ("ghosts") and it was those ghosts whom former President Jean-Bertrand Aristide is said to have employ! ed to silence his opponents. Filmed in the months leading up to Aristide's overthrow in 2004, the film captures the smoldering tensions between the two rival gang leaders, and their love for the same woman, set in a city the United Nations has declared the most dangerous place on Earth.

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Gone

• ISBN13: 9780061448782
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

In the blink of an eye.

Everyone disappears.

Gone.

Everyone except for the young. Teens. Middle schoolers. Toddlers. But not a single adult. No teachers, no cops, no doctors, no parents. Gone, too, are the phones, internet, and television. There is no way to get help.

Hunger threatens. Bullies rule. A sinister creature lurks. Animals are mutating. And the teens themselves are changing, developing new talentsâ€"unimaginable, dangerous, deadly powersâ€"that grow stronger by the day.

It's a terrifying new world. Sides are being chosen and war is imminent.

The first in a breathtaking saga about tee! ns battling each other and their darkest selves, gone is a page-turning thriller that will make you look at the world in a whole new way.