Selasa, 08 November 2011

Batman & Mr. Freeze: SubZero / Batman: Mask of the Phantasm

Boynton Beach Club - Framed Movie Poster - 11 x 17 Inch (28cm x 44cm)

  • You are looking at a beautiful, professionally framed poster.
  • This frame is made specifically for 11 x 17 posters.
  • Packaged and shipped in a sturdy corrugated box.
  • Clean and sharp looking aluminum frame with clear plexiglass.
  • This poster is from Boynton Beach Club (2005)
Recently widowed Marilyn (Brenda Vaccaro), still reeling over the sudden death of her husband, finds an unexpected new circle of friends when she accepts an invitation to join The Boynton Beach Bereavement Club. While not ready to embark on a relationship herself, she is amused to realize that many of her contemporaries are actively looking for love. Lois (Dyan Cannon) is being courted by a younger man (Michael Nouri), while Harry (Joseph Bologna) tries internet dating and encourages his friend Jack (Len Cariou) to pursue a romance with the mysterious Sandy (Sally Kellerman). The Boynton Bea! ch Club proves that 60 IS the new 40 and you’re never too old to fall in love.Early in the charming romantic comedy Boynton Beach Club, one randy 70-something guy makes a heartfelt toast to "sex after 60"--in all of its untidy, slightly saggy, unpredictable glory. And so is this film, by Susan Seidelman, as much a toast to love among the retiree set as her Desperately Seeking Susan was a valentine to Madonna and the early '80s hipster scene. The all-star cast, including Joe Bologna, Dyan Cannon, Sally Kellerman, Brenda Vaccaro, and Michael Nouri, explore the nuances of grief, loss, heartbreak, and horniness in a retirement community in Boynton Beach, Fla. The usual jokes about senior communities--the outnumbering of men by women, the orchestrated community-center social lives, the bad driving--are here, but with a twist. Seidelman is just as interested in showing that some things, like schoolgirl crushes, one-night-stand cads, and finding love when you think! you're not even looking, are as universal whether you're 17 o! r 70. Wh ile some of the cast seem almost distracting at the beginning of the film, because of apparently drastic plastic surgery (Cannon and Kellerman, especially), by the film's end they blend in with the rest of the cast, just as facelifts coexist with sagging jawlines in real Florida towns. Boynton Beach Club has a big heart, and the heart, thankfully, never shows its age. --A.T. HurleyMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Faster

  • A heart-hammering sensation at Slamdance, Faster is an electrifying tribute to the white-knuckle world of the Motorcycle Grand Prix--the fastest sport on two wheels--where only the most audacious competitors race at speeds over 200mph and crash at over 100mph. Narrated by Ewan McGregor (Big Fish, Star Wars: Episodes I-III), Faster chases two seasons worth of the world championship, featuring revea
After 10 years in prison, Driver (Dwayne Johnson) has focused on one thing â€" hunting down the people responsible for brutally murdering his brother. Now a free man with a terrifying purpose, he sets out to find and kill all those on his list. But on his heals are two men who will do anything to stop him â€" a veteran cop (Billy Bob Thornton) and a hitman (Oliver Jackson-Cohen) who finds his match in this worthy opponent. Now, the hunter is also the hunted.In Faster revenge is a dish best se! rved quickly and with no remorse. Dwayne Johnson's character Driver has few lines, instead letting his actions--and the growls of the muscle car he's driving--speak volumes. Driver (given no other name for the duration of the movie) is released from prison, for crimes not initially noted, and immediately sets out in a fast car with a gun and a mission of revenge. He is coldly efficient with his kills, wasting no time or bullets as he delivers his brand of justice. The puzzle pieces of his crusade are snapped together with each victim he goes after; this is not a man who kills for the thrill. Each victim is specially selected, and Driver wants each to see his face to understand why they are being executed. Nor does he bother hiding his face from surveillance cameras or the police detectives (Billy Bob Thornton, Carla Gugino) chasing him. Driver is not a man who cares if he's caught, so long as he gets to finish his self-imposed task first. As word of his spree hits the news,! one of his potential victims hires an assassin (Oliver Jackso! n-Cohen) to get to Driver first. Surprisingly, most of the characters show some depth of personality, in spite of being little more than caricatures of stereotypes (the troubled cop, the bored assassin). Faster isn't as reliant on mindless action as expected, but the story line is played out in such a way that you can't help rooting for Driver and his bloody revenge. Though parts are a tad predictable, all in all this is a thoroughly entertaining action flick. --Jill CorddryAfter 10 years in prison, Driver (Dwayne Johnson) has focused on one thing â€" hunting down the people responsible for brutally murdering his brother. Now a free man with a terrifying purpose, he sets out to find and kill all those on his list. But on his heals are two men who will do anything to stop him â€" a veteran cop (Billy Bob Thornton) and a hitman (Oliver Jackson-Cohen) who finds his match in this worthy opponent. Now, the hunter is also the hunted.In Faster revenge is a dish best se! rved quickly and with no remorse. Dwayne Johnson's character Driver has few lines, instead letting his actions--and the growls of the muscle car he's driving--speak volumes. Driver (given no other name for the duration of the movie) is released from prison, for crimes not initially noted, and immediately sets out in a fast car with a gun and a mission of revenge. He is coldly efficient with his kills, wasting no time or bullets as he delivers his brand of justice. The puzzle pieces of his crusade are snapped together with each victim he goes after; this is not a man who kills for the thrill. Each victim is specially selected, and Driver wants each to see his face to understand why they are being executed. Nor does he bother hiding his face from surveillance cameras or the police detectives (Billy Bob Thornton, Carla Gugino) chasing him. Driver is not a man who cares if he's caught, so long as he gets to finish his self-imposed task first. As word of his spree hits the news,! one of his potential victims hires an assassin (Oliver Jackso! n-Cohen) to get to Driver first. Surprisingly, most of the characters show some depth of personality, in spite of being little more than caricatures of stereotypes (the troubled cop, the bored assassin). Faster isn't as reliant on mindless action as expected, but the story line is played out in such a way that you can't help rooting for Driver and his bloody revenge. Though parts are a tad predictable, all in all this is a thoroughly entertaining action flick. --Jill CorddryA heart-hammering sensation at Slamdance, Faster is an electrifying tribute to the white-knuckle world of the Motorcycle Grand Prix--the fastest sport on two wheels--where only the most audacious competitors race at speeds over 200mph and crash at over 100mph. Narrated by Ewan McGregor (Big Fish, Star Wars: Episodes I-III), Faster chases two seasons’ worth of the world championship, featuring revealing interviews with riders, mechanics, doctors, commentators and fans. Even if you've never witnesse! d the intensity of MotoGP motorcycle racing, Faster will take your breath away. It's a perfect primer for newcomers, offering a comprehensive survey of the fastest sport on two wheels, and it's guaranteed to satisfy hardcore fans with its detailed history, profiles of the top riders from the 2001-02 seasons, highlights of spectacular crashes and unforgettable races, and a veritable feast of the best MotoGP cinematography you're ever likely to see. From front-and-rearview cycle cameras to swooping overhead track coverage, filmmaker Mark Neale immerses the viewer in the MotoGP experience, enhancing the adrenaline-pumping visuals with expert interviews and commentary (and cool, low-key narration by globetrotting cycle-lover Ewan McGregor) that any sportswriter would consider authoritative.

Literally and figuratively, a lot of ground gets covered: From Kenny Roberts and the late Barry Sheene discussing their innovative knee-dragging styles and the origins of rear-whe! el steering to the colorful rivalry of Max Biaggi and reigning! champio n Valentino Rossi (including Biaggi's infamous "Elbow Incident" at Suzuka in 2001), Faster never loses sight of the human element that makes this ultra-dangerous sport so fascinating. Track physician "Dr. Costa" is profiled (and offers some eloquently philosophical thoughts about MotoGP riders), along with innovative rider Garry McCoy (plagued by injuries); former champion Wayne Rainey (now paraplegic and active in kart-racing); young prodigy John Hopkins in his rookie season; and several other prominent figures in the world of MotoGP.

The bonus disc includes Faster & Faster, a sequel covering the 2003 and 2004 seasons, which saw the rise of the 500cc 4-stroke engine (and speeds in excess of 215 mph), Ducati's dominance and trend-setting removal of engine silencers (to boost power); Rossi's move to Yamaha; the fatal crash of Daijiro Kato; the victories of Sete Gibernau; and the rookie debuts of Neil Hodgson, Ruben Xaus, and Shane Byrne. Through it all, F! aster and its sequel serve as the ultimate guide to MotoGP, certain to inspire future champions and armchair fans alike. --Jeff Shannon

Fall Of Shane Mackade (The Mackade Brothers)

Brother Bear (Two-Disc Special Edition)

  • Disney proudly presents BROTHER BEAR, an epic animated adventure full of comedy and heart. With five great new songs from Academy Award winner Phil Collins (1999 Best Original Song, "You'll Be In My Heart," from TARZAN(R)), it's "pure Disney magic from beginning to end!" raves Clay Smith of Access Hollywood. When an impulsive boy named Kenai is magically transformed into a bear, he must li
Disney proudly presents BROTHER BEAR, an epic animated adventure full of comedy and heart. With five great new songs from Academy Award winner Phil Collins (1999 Best Original Song, "You'll Be In My Heart," from TARZAN(R)), it's "pure Disney magic from beginning to end!" raves Clay Smith of Access Hollywood. When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey in! troduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths, rambunctious rams, and more! BROTHER BEAR is "a charming, enchanting story for kids of all ages!" ( Larry King, CNN)Brother Bear has a dramatic story--after he kills a bear, a young hunter named Kenai (voiced by Joaquin Phoenix, Gladiator) in prehistoric North America is turned into a bear himself and hunted by his own brother--but the animated movie's tone is more earnest and warm than tragic, focusing on the unfolding relationship between Kenai and an orphaned bear cub named Koda (voiced by Jeremy Suarez). However, it's often the comic supporting characters who prove the most popular, and a pair of moose voiced by Rick Moranis and Doug Thomas in their McKenzie brothers/Canadian dude mode (from SCTV and the movie Strange Brew) will win many fans. The songs by Phil Collins are typically negligible, but the hand-drawn ani! mation is lush (occasional flashes of computer-generated anima! tion cla sh with the movie's overall look). Kids will also enjoy the mammoths; no sabre-toothed tigers, unfortunately. --Bret Fetzer

Great Soul: Mahatma Gandhi and His Struggle with India

  • ISBN13: 9780307269584
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Mohandas K. Gandhi is one of the most inspiring figures of our time. In his classic autobiography he recounts the story of his life and how he developed his concept of active nonviolent resistance, which propelled the Indian struggle for independence and countless other nonviolent struggles of the twentieth century.

In a new foreword, noted peace expert and teacher Sissela Bok urges us to adopt Gandhi's "attitude of experimenting, of tesing what will and will not bear close scrutiny, what can and cannot be adapted to new circumstances,"in order to bring about change in our own lives and communities.

All royalties earned on this book are paid to the Navajivan Trust, founded by Gandhi, f! or use in carrying on his work.Gandhi's nonviolent struggles in South Africa and India had already brought him to such a level of notoriety, adulation, and controversy that when asked to write an autobiography midway through his career, he took it as an opportunity to explain himself. Although accepting of his status as a great innovator in the struggle against racism, violence, and, just then, colonialism, Gandhi feared that enthusiasm for his ideas tended to exceed a deeper understanding. He says that he was after truth rooted in devotion to God and attributed the turning points, successes, and challenges in his life to the will of God. His attempts to get closer to this divine power led him to seek purity through simple living, dietary practices (he called himself a fruitarian), celibacy, and ahimsa, a life without violence. It is in this sense that he calls his book The Story of My Experiments with Truth, offering it also as a reference for t! hose who would follow in his footsteps. A reader expecting a c! omplete accounting of his actions, however, will be sorely disappointed.

Although Gandhi presents his episodes chronologically, he happily leaves wide gaps, such as the entire satyagraha struggle in South Africa, for which he refers the reader to another of his books. And writing for his contemporaries, he takes it for granted that the reader is familiar with the major events of his life and of the political milieu of early 20th-century India. For the objective story, try Yogesh Chadha's Gandhi: A Life. For the inner world of a man held as a criminal by the British, a hero by Muslims, and a holy man by Hindus, look no further than these experiments. --Brian BruyaMohandas K. Gandhi, called Mahatma (“great soul”), was the father of modern India, but his influence has spread well beyond the subcontinent and is as important today as it was in the first part of the twentieth century and during this nation’s own civil rights movement. Taken from G! andhi’s writings throughout his life, The Essential Gandhi introduces us to his thoughts on politics, spirituality, poverty, suffering, love, non-violence, civil disobedience, and his own life. The pieces collected here, with explanatory head notes by Gandhi biographer Louis Fischer, offer the clearest, most thorough portrait of one of the greatest spiritual leaders the world has known.
“Gandhi was inevitable. If humanity is to progress, Gandhi is inescapable. . . . We may ignore him at our own risk.” â€"Dr. Martin Luther King, Jr.

With a new Preface drawn from the writings of Eknath Easwaran

In the annals of spirituality certain books stand out both for their historical importance and for their continued relevance. The Vintage Spiritual Classics series offers the greatest of these works in authoritative new editions, with specially commissioned essays by noted contemporary commentators. Filled with eloquence and fresh insight, encouragement an! d solace, Vintage Spiritual Classics are incomparable resource! s for al l readers who seek a more substantive understanding of mankind's relation to the divine. A critical masterpiece, GANDHI is an intriguing story about activism, politics, religious tolerance and freedom. But at the center of it all is an extraor- dinary man who fought for a nonviolent, peaceful existence, and set an entire nation free. Winner of 8 Academy Awards® including Best Picture, Best Director (Lord Richard Attenborough) and Best Actor (Sir Ben Kingsley), GANDHI’s highly acclaimed cast also includes Candice Bergen, Edward Fox, Sir John Gielgud, Roshan Seth and Martin Sheen.

The extras include more than 90 minutes of new material, including interviews with director Lord Richard Attenborough; actors Geraldine James, Saeed Jaffrey, and Edward Fox; Diana Hawkins (Director of Publicity), Terry Clegg (Executive in charge of production), Billy Williams (Cinematographer) and Stuart Craig (Production Designer). The DVD includes a Director’s commentary with Attenb! orough, who also filmed a personal introduction to the film. The featurettes include In Search of Gandhi, Reflections on Ben, Madeleine Slade: An Englishwoman Abroad, The Funeral, Shooting an Epic In India, Looking Back, Designing Gandhi (3 mini featurettes) and From the Director’s Chair (2 mini featurettes). Sir Richard Attenborough's 1982 multiple-Oscar winner (including Best Picture, Best Director, and Best Actor for Ben Kingsley) is an engrossing, reverential look at the life of Mohandas K. Gandhi, who introduced the doctrine of nonviolent resistance to the colonized people of India and who ultimately gained the nation its independence. Kingsley is magnificent as Gandhi as he changes over the course of the three-hour film from an insignificant lawyer to an international leader and symbol. Strong on history (the historic division between India and Pakistan, still a huge problem today, can be seen in its formative stages here) as well as character and ideas, this is a f! ine film. --Tom Keogh

< strong>Stills from Gandhi (click for larger image)







Beyond Gandhi on Amazon.com


Other Oscar Winners at Oscar Central

More Biographies on DVD

The Films of Ben Kingsley
This is a reproduction of a book published before 1923. This book ma! y have occasional imperfections such as missing or blurred pag! es, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.Translated by Mahadev Desai and with a New Preface
The only authorized American edition
Mohandas K. Gandhi is one of the most inspiring figures of our time. In his classic autobiography he recounts the story of his life and how he developed his concept of active nonviolent resistance, which propelled the Indian struggle for independence and countless other nonviolent struggles of the twentieth century.

In a new foreword, noted peace expert and teacher Sissela Bok urges us to adopt Gandhi's "attitude of experimenting,! of tesing what will and will not bear close scrutiny, what can and cannot be adapted to new circumstances," in order to bring about change in our own lives and communities. All royalties earned on this book are paid to the Navajivan Trust, founded by Gandhi, for use in carrying on his work.Gandhi's nonviolent struggles in South Africa and India had already brought him to such a level of notoriety, adulation, and controversy that when asked to write an autobiography midway through his career, he took it as an opportunity to explain himself. Although accepting of his status as a great innovator in the struggle against racism, violence, and, just then, colonialism, Gandhi feared that enthusiasm for his ideas tended to exceed a deeper understanding. He says that he was after truth rooted in devotion to God and attributed the turning points, successes, and challenges in his life to the will of God. His attempts to get closer to this divine power led him to seek purity! through simple living, dietary practices (he called himself ! a fruita rian), celibacy, and ahimsa, a life without violence. It is in this sense that he calls his book The Story of My Experiments with Truth, offering it also as a reference for those who would follow in his footsteps. A reader expecting a complete accounting of his actions, however, will be sorely disappointed.

Although Gandhi presents his episodes chronologically, he happily leaves wide gaps, such as the entire satyagraha struggle in South Africa, for which he refers the reader to another of his books. And writing for his contemporaries, he takes it for granted that the reader is familiar with the major events of his life and of the political milieu of early 20th-century India. For the objective story, try Yogesh Chadha's Gandhi: A Life. For the inner world of a man held as a criminal by the British, a hero by Muslims, and a holy man by Hindus, look no further than these experiments. --Brian BruyaTranslated by Mahadev Desai a! nd with a New Preface
The only authorized American edition
Mohandas K. Gandhi is one of the most inspiring figures of our time. In his classic autobiography he recounts the story of his life and how he developed his concept of active nonviolent resistance, which propelled the Indian struggle for independence and countless other nonviolent struggles of the twentieth century.

In a new foreword, noted peace expert and teacher Sissela Bok urges us to adopt Gandhi's "attitude of experimenting, of tesing what will and will not bear close scrutiny, what can and cannot be adapted to new circumstances," in order to bring about change in our own lives and communities. All royalties earned on this book are paid to the Navajivan Trust, founded by Gandhi, for use in carrying on his work.A highly original, stirring book on Mahatma Gandhi that deepens our sense of his achievements and disappointmentsâ€"his success in seizing India’s imagination and shaping its independence ! struggle as a mass movement, his recognition late in life that! few of his followers paid more than lip service to his ambitious goals of social justice for the country’s minorities, outcasts, and rural poor.

Pulitzer Prizeâ€"winner Joseph Lelyveld shows in vivid, unmatched detail how Gandhi’s sense of mission, social values, and philosophy of nonviolent resistance were shaped on another subcontinentâ€"during two decades in South Africaâ€"and then tested by an India that quickly learned to revere him as a Mahatma, or “Great Soul,” while following him only a small part of the way to the social transformation he envisioned. The man himself emerges as one of history’s most remarkable self-creations, a prosperous lawyer who became an ascetic in a loincloth wholly dedicated to political and social action. Lelyveld leads us step-by-step through the heroicâ€"and tragicâ€"last months of this selfless leader’s long campaign when his nonviolent efforts culminated in the partition of India, the creation of Pakistan, and a bloodbath of e! thnic cleansing that ended only with his own assassination.

India and its politicians were ready to place Gandhi on a pedestal as “Father of the Nation” but were less inclined to embrace his teachings. Muslim support, crucial in his rise to leadership, soon waned, and the oppressed untouchablesâ€"for whom Gandhi spoke to Hindus as a wholeâ€"produced their own leaders.

Here is a vital, brilliant reconsideration of Gandhi’s extraordinary struggles on two continents, of his fierce but, finally, unfulfilled hopes, and of his ever-evolving legacy, which more than six decades after his death still ensures his place as India’s social conscienceâ€"and not just India’s.Amazon Best Books of the Month, April 2011: With Great Soul, Pulitzer Prize-winner Joseph Lelyveld accomplishes the difficult task of humanizing the fabled "Mahatma." Utterly unafraid of depicting Gandhi's less palatable tendencies--shameless self-promotion, inscruta! ble sexual mores, and an often narrow and ethnically specific ! applicat ion of his evolving political tenets--Lelyveld instead stands the man up against the myth. Comprehensively researched and confidently written, Lelyveld's exploration of Gandhi's politically formative years in South Africa, and the international profile he later secured in India, demonstrates laudable (if not unflinching) critical distance from his subject. It takes a brave biographer to pull this off respectfully. (See Christopher Hitchens’s book on Mother Theresa for a contrary and maudlin example.) Lelyveld is up to the job, delivering an ultimately indispensable take on the flesh-and-blood man who may have been his own best hagiographer. Everyone with an interest in Gandhi--from incurable skeptics to unabashed devotees--should find much to learn from one of the year’s best biographies to date. --Jason Kirk

Goodbye My Lover (Piano Vocal, Sheet music.)

  • Published by Hal Leonard 12 Pages
  • (James Blunt)
  • Artist: James Blunt
Overlooked and underrated, "Goodbye Lover" is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a "Sound of Music" fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating! director Roland Joff?© ("The Killing Fields") from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. "--Jeff Shannon"Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast! and never lets up, liberating director Roland Joffé (The ! Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon GOODBYE MY LOVER Series: Piano Vocal Artist: James Blunt Sheet music.

Dial M for Murder

  • When American writer Mark Halliday visits the very married Margot Wendice in London, he unknowingly sets off a chain of blackmail and murder. After sensing Margot's affections for Halliday, her husband, Tony Wendice, fears divorce and disinheritance, and plots her death. Knowing former school chum Captain Lesgate is involved in illegal activities, Tony blackmails him into conspiring to kill Margot
DIAL M FOR MURDER - DVD MovieA suave tennis player (Ray Milland) plots the perfect murder, the dispatching of his wealthy wife (Grace Kelly), who is having an affair with a writer (Robert Cummings). Amazingly, the wife manages to stave off her attacker, a twist of fate that challenges the hubby's talent for improvisation. Alfred Hitchcock wisely stuck to the stage origins of Dial M for Murder, ignoring the temptation to "open up" the material from the home of the unhappy couple. The result ma! y not be one of Hitchcock's deepest films, but it's a thoroughly engaging chamber movie. It also features Grace Kelly at her loveliest, the same year she made Rear Window with Hitchcock. Dial M for Murder was filmed in the briefly trendy 3-D process, and Hitchcock shot some scenes to bring out the depth of the 3-D field; it's especially good for the nail-biting attempted murder of Kelly, and her desperate reach for a pair of scissors that seems to be just outside her grasp. However, the film was rarely shown with the proper 3-D projection, going out "flat" instead (a 1980 reissue restored the process for a limited theatrical release). Dial M was remade in 1998 as A Perfect Murder, a film that changed and expanded the material, with no improvement on the clean, witty original. --Robert Horton
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